REEL TALK: JOSHUA BRAD-LEE GARRIDO

Multidisciplinary creative talks artwork as an ode to loved ones, and dismantling toxic masculinity and portraying skinship in his incredible directorial debut, "Chrome" (2024).

Welcome to Reel Talk, where we deep-dive into the minds of the industry’s finest—directors, producers, actors, writers, and all the unsung heroes on set. Each conversation gives a glimpse into their craft, passion, and the stories that drive them.

Joshua on the set of “Chrome” (2024). Image by Adolfo Bermudez (@adolfo.bdz)

In this issue, I’m sitting down with Joshua Brad-Lee Garrido, someone who I feel incredibly inspired by, not only with his artistry as a filmmaker, musician and artist, but also with the immense gratitude he lives by and lives for.

Here’s what we’ll be diving in:

  • “To Love Me So Much It Hurts”: CHROME (2024)–Josh’s creative process, depicting skinship and dismantling toxic masculinity.

  • Living and creating with gratitude: how Josh thrives off of the relationships he’s cultivated through out the years with family and friends.

  • Next steps: AMOR ETERNO.

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